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Jon
Lewis

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Spectacles Interviews

A Brief Interview With Jon Lewis
By Jeff Mason


What can we expect to find in Spectacles?
Each issue is going to contain three main stories — two stand-alone pieces starting with the ones in issue one ("Eye of Potential Harm", and "Land of the Early Bird"), and an eight-to-ten-page installment of a long continuing story called "The Frost Changes" which has been simmering in my head for several years now.

How do these stories differ from each other?
The stand-alone stories are fairly realistic in tone and concern episodes in the lives of various citizens of "Seemington," a thinly veiled version of Seattle; "The Frost Changes" is a bit more fantastic — it's set in an unidentified "northern city" that's a combination of contemporary Minnesota and pre-industrial Norway. There's average joes, confused teenagers, ministers with magic powers, and creatures and phenomena drawn from Norse folklore and legend. I think that having these two kinds of story in each issue will make for a very complementary reading experience.

The work for which you've most been known thus far, True Swamp, was about intelligent, speaking animals and their problems out in the wilds. What made you start doing stories about normal human beings in the familiar setting of the city?
I think that one thing stories do for people is to allow them to escape from, or at least take a breather from, their own world. To travel to an exotic or imaginary time or place for awhile. I wanted to try to make the time and place of here and now seem exotic and just as worth escaping to as any fantasyland. I'm doing these stories out of a sincere conviction that every person's live contains strangeness, poetry and fantastic details... things worthy of a story.

What about the continuing story? What inspired that weird setting?
Well, I grew up in Minnesota and have an immense affection for the human and natural landscape there. Minnesota is a very Scandinavian place, climactically and socially, and I'm mostly Norwegian myself, so I've ended up being very interested in Norse folklore and legends. I've had a story idea for years about the complicated intrigues between three men who all assume disguises, abandon their identities, for completely different reasons, and end up sitting together at a bar. I wanted to set this story in Minnesota, but when I thought of infusing it with these old Scandinavian beliefs, which I've also been wanting to work with for years, then the story really came alive for me, and I'm going to try to pack a lot of development into each installment for the readers.